I told David that it is a sign that the world is coming to an end.
David replied, "You may be right. You may be right." So we ate our favorite dish at a restaurant that day.
The interior of the bus.
However, it is quite annoying riding with these high school kids - not because they're black and speak the black language (I was assuming they would be taught to "master" the queen's English, but much of what I hear from their conversation was: "b***h," "sh_t," "f_ck," etc.) but they talk so loud and act like uncivilized people. No, I am not racist, but some kids just have to be taught manners.
On the other hand, I get scoops when they talk aloud. They don't care who hears their conversation anyhow.
Last Friday, they were talking 8 high school kids who were suspended. They were four of them talking - three boys and a girl. One of the boys - one whom I saw with another white girl making out on the bus last time (you know, they don't care if people are watching. No wonder Americans have problems with teen pregnancy) - said to the girl who just got on the bus, "You know what happened this week? Eight kids got suspended. I never heard such thing."
Our loverboy continued: "One of the teachers said she wanted to check on what the students were doing outside the class. They can't do that!"
The girl, clad in the tightest of jeans and adorned with jewelries like she owns a pawnshop, said, "What? Who got suspended? I got suspended for two weeks last time. I stayed at home and slept. Some white bitch stole my stuff in my locker..." And she narrated how she got involved.
The boys mentioned the names and the girl was quizzical who they were. Then when they mentioned a girl's name she said, "Oh, that bitch. I know her. What they were fighting about?"
Our loverboy said, "You know what it was."
Our pawnshop girl replied, "What? They fought over one dick? Just one dick?"
And the stories went on. I fell asleep during the duration of the trip. But this is just to give you a glimpse of what's happening on the bus. Somehow, I am saddened by the fact that this is going on. what am I going to say to my friends back home about American teens? Is this a good scenario?
I am not racist whatsoever. I am Asian. Americans will always ask you if the person you're referring to was a white or black person.
David enjoying his dinner.
The seafood platter. Sorry guys, that is all what's left. Where's the box?
So, after the marvelous dinner - with seafood platter cooked to perfection - we dropped by a store just a few miles away from the restaurant. I've never seen a grand place. It looked like a big factory building outside but once you are inside you will see tons of expensive Christmas decorations and gift items. I was even adamant in touching a lifesize Santa, because it is worth almost or more than P100,000 (including the taxes).
Well, so much for a birthday celebration.
This Santa cost almost or more than P100,000.
David trying to control himself not to buy anything. (Oh, but I'm sure he'll be back there).
Me, having a bad hair day. Good thing Santa was there to comfort me.
***
David baked me his superdupermegaover delicious brownies. He uses some special ingredients that would make your mouth water. Sigh, I've been eating brownies for a week now, but golly, I eat it with ice cream! Ha ha
Pam also sent me an e-card and Sylvia, David's sister-in-law, left a greeting on the answering machine. The ladies at church greeted me. And I was able to call home and talked with my mother and brother.
However, I am a bit saddened that it was my first birthday without my father.
I would trade any of my remaining birthdays... just to have my father back.
Here's my review:
The challenge posed by the play Dancing at Lughnasa is testing one’s ability to recall the past.
The College at Brockport’s recent production of Brian Friel’s Tony-winning play posed a clash between the elements of form versus the elements of content. This clash may be the reason why some people who have watched the play find it lacking coherence.
Dancing at Lughnasa is the story of the Mundy sisters: Kate, played by Amanda Charlebois, a conservative school teacher and the only person in the house with a job; Maggie (Andrea Macy), the impulsive sister and family chef; Rose (Nikki Trombley), a simpleton who is unabashed with her infatuation for a married man; Agnes (Rachel Soloman), who looks over Rose, and Christina (Callie Jean Slusser), an unwed mother.
The story is narrated by Michael Evans (Spencer Christiano), Christina’s son. The year was 1936, Michael recalls the Mundy sisters’ struggle to keep their lives intact despite the limited resources and the arrival of their only brother, Jack, a missionary, in a small village of Ballybeg, Ireland.
Friel’s technique in using the adult Michael as the narrator without requiring the young Michael to be physically present on stage is significantly innovative. As Michael goes through the scenes when he was 7 years old, the audience learn that the sisters love him despite that he was born out of wedlock. He is the center of their lives.
It takes time, however, for the audience to grasp the essence as to why the actors speak to an “absent” Michael. This method may be reflective of formal element. The adult Michael stand on the side of the stage, explicating the various scenes; erstwhile answering questions from his mother and aunts when the scene needs it.
There is a connection as well as detachment of the self when Michael narrates the story. How he pieces together his memory is a challenge. As with other plays or movies dealing with recollection, it is a challenge to show the details of the past. In Dancing at Lughnasa, Michael showing what happened to the Mundy sisters when he was just seven is technically out of place. There is a certain kind of struggle, the shaping and unshaping of repressed emotion and the struggle to regain what was lost. This question was left for the audience to unravel.
Keeping the story interesting are Fr. Jack, who just came back from Uganda, and Gerry Evans (Keenan Paul Bloom), Michael’s sweet-talking father. The sisters are concerned with Jack’s recent unconventional views on the Catholic Christian faith after his missionary work, particularly that he wove the cultural and religious fanaticism in Africa in their conversation. Kate, on the other hand, struggles to keep the family intact and assures her sisters that Jack will be able to hold Mass soon in the village. She is also keeping eye on Gerry has come back to woo Christina.
John Haldoupis’s use of rustic stage setting allows the audience to feel a scenic experience. The kitchen is the set’s focal point. However, the dim lighting makes the scenery gloomy, almost giving the impression of a dark, disjointed story. Meanwhile, it is notable that costumes were in sync with the time period the play would like to convey.
The use of accent may be cumbersome to some, but it can be ignored. Although it is comical to note that the actors alternate American, British, and Irish accents. That doesn’t matter. The inconvenience language bring is masked by the structure of the story. No matter how you say the word, “dancing,” will still be an English word.
On the other hand, Daryl Acevedo, who played Fr. Jack, seemed to be the missing linked in the play. He is calculating with his lines and it showed in his facial expression. In fact, he delivered his lines with a British accent. Meanwhile, Keenan Bloom proved to be the actor to watch out for. Not only does he have the debonair good looks, but his acting skill is concentric, almost polished. The high school senior can stand against all the other actors with his booming voice and appeal.
Francis X. Kuhn, who directed the play, may have been faithful to the script, but he could have given the simplistic style of Friel’s story a new twist. If some viewers found the play boring, it is because they are uninitiated in the language of form. Overall, Kuhn presented a knowing eye on stage elements, texture, and color.
Keenan Paul Bloom (with soft and bouncy hair)
The artists rendetion of the set
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